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Each piece of the series is a reconstruction of an abstract painting that appeared in the caricatures of Ludas Matyi (the official humour magazine of the Kadar Era), which aimed to mock the visual art exhibitions of the day. Abstraction was considered by cultural politics as the Entartete Kunst of the era, whose contemptibleness was periodically impressed upon the masses by the caricatures of this satirical, seemingly (but not actually) opposition-oriented magazine.
Gerhes series focuses on the special and hidden mechanisms of constraining artistic freedom through the means of cultural politics. This group of works illustrates the external features and representational characteristics of an imagined church (Silent Church). It can be physical or virtual, in space or in time.