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In other instances, he arranges human, animal, plant or object motifs into emblem-like, closed compositions, as is also characteristic of the visual world of his ceramics. Text is an important element of his works, sometimes appearing in the form of captions, at other times relating to the visual content as the title of the artwork, thereby providing a point of reference and further possible layers of interpretation (even if by the relativization or alienation of the visual content).
While relativizing the present through various means, Gabor Roskos works engage such issues as anti-Semitism and Colonialism in their varied forms, as well as national (identity) politics.
The works, which transport these topics (often stances) into a visual world permeated by symbols, allegories and irony, prompt their viewers to think and form associations, while also testing their views on fiction, reality, private history and ideology.